Lonelyness

By Dieter Schneider

“Come Fairies, dance through my prickly garden and dance upon my great gourd-like recumbent head. This grey gravy world sickens me, like tomato juice before the aquatic journey. Hide thee not, but come forth and give me hope for aspic sunsets and sod scented breezes of another day.”

— Bertrand J. Dogfellow


Perusal of the May 2008 archives

Composed by Dr. G on May 19

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juvenile raccoons

It has been so long since I have written, sadly so, as so much has taken place in the days that have passed and I have had little opportunity or means by which to write them down. On our third evening on the farm the girls and I were taken as a treat into the village to the Winterbottom Grange talent show. I was astonished to see the variety of talents this small village offered. We laughed and cheered along with the town’s citizenry as we watched Leonard McHaffy sculpt a life-size bust of Queen Elizabeth with her pet ermine out of a maple log with nothing put a sharp axe. Violet Languid gave a vocally superb rendition of Pretty Peggy of Derby, accompanied by one of our very own 1853 models of the Galubrious’ “Italian Queen” accordion (with the famous micro mosaic buttons). But beyond a doubt, the triumph of the night was The Widow Cookfair’s trained chickens and their presentation of Pacini’s Carlo di Borgogna. When, in the opera’s second act, Leonora and Estella, played by two elegant barred rocks, finished their duet, tears were welling up in my eyes, and the girls were sobbing on my shoulder. I was of the mind that poultry lacked the depth of character to accurately portray the complex emotions required for anything but Russian opera, but I was proven profoundly wrong.
We came in from the spring frost and into our dormered room to find all of our equipment smashed, our record books torn apart, and our ink bottles spilled. My precious Simmons silver stemmed pen twisted into a bow, and the nib snapped, fractured into pieces. And so, in the evening hours of these past few spring days I have been manufacturing a new pen, from the bleached thighbone of a discarded pheasant carcass and the pounded tines of orphaned cutlery. Ink was developed by the gathering of lamp black, and ground chimney creosote made viscous with the addition of half-boiled maple syrup, so readily available here. The result is a fine substitute that I keep in a bitters jar under my pillow, along with my pen and the paper I have made with the pounded husks of last years corn.
There is far more disruption here than meets the eye – and I feel there are stories and relationships long established burrowing like a mole under the smiling surface of this small family. The ravaging of our small room was blamed on juvenile raccoons, but the absurdity of this notion nearly lead me to turn my back on our endeavor. Indeed I would have done so if not for my dedication to the scientific arts. The girls too, were ready to leave, as they had spent a cold morning staring at the remaining shards of the instruments, and the ink-soaked watercolor pads.
Without our equipment, we are left to rely solely on Lenore’s intuitive “whim”, my makeshift notes, and Lucia’s ability to combine parts of the broken instruments with pieces of old farm equipment, luckily we are living in a modern age – one in which a hardware store is rarely more than a couple hours walk away and orders can be made and received by train in less than a fortnight. We were also fortunate to find all of our photographic equipment in the field left untouched and so our research continues.
It was in that fateful morning of destruction that I came downstairs to find Mrs. Crunkshaft washing the threshold. I though very little of it at the time, but I now notice that the thresholds of this rambling house are all daily washed, and a vibrant sheen combined with a distinctive scent clues me to the presence of lavender oil.
As for the old woman, she continues to sit in her darkened corner. The sudden outburst of the evening past seems to have left her tired. Her rocking chair squeaks more slowly of late, the moth-eaten ball of wool in her lap nods lazily, yarn trailing ever so steadily to her hands and the nondescript threaded mass that hangs lazily off her needles. At her current rate of production, I presume the three inches of knitting has likely taken her five years to accomplish. When her head is not slumped in sleep against her chest her eyes continue to follow us coolly as we pass through the room.

Composed by Dr. G on May 19

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Blue

“Lies, its all lies!!” the old woman stirred in the corner, a crazed look entered her eyes and a trail of spittle ran down her chin. A thin, small hand lurched out from under the stained blankets and a wizened finger pointed at me. “You, you come here to expose us, to cast the light of the world into our corner. Well, you should expose the broken promises and forgotten treaties! I see you, I’ve seen your kind before - you and those little girls – your no relatives of mine!!! I’ve watched generations come and go – pink babies born, grow, and pass out of this life frail and forgetful. But I remember, and I have never seen the soul of your eyes before. And you, little girl…” the old woman’s age spotted finger curved around to point at Lenore, “you think you’re so pretty, with your golden locks and bows of silk, but believe you what I say, that I was once far more beautiful than you, but generations in the New England forest turn even the most well chosen mortal body wrinkled and grey.” The old woman erupted into a series of wet hacking coughs, prompting Molly to rush over with a handkerchief and cover the old woman’s mouth.

“Perhaps this has all been a little too much excitement for the poor dear” Molly said, The aged aunt coughed and spat behind the handkerchief - “feeling better now?” the old woman’s words were muffled, but became clear for a moment “…not stupid you know, you can’t…” another eruption of coughs echoed through the room and the handkerchief was placed back over her mouth.

“Well,” Molly continued – “I suppose it’s time we all said goodnight, we all have plenty to do in the morning. “ Molly let out a yelp as the old aunt’s remaining two teeth sank deep into her index finger. “Goodnight…. Goodnight everyone”

The girl’s did not have to be prompted again – they grabbed a candle and pulled me along up the stairs to the second floor. The moon had grown even fuller – the cold rays were vivid and harsh, illuminating the planks of the floor with a crisp edged light. In the light of the window the girls needed no candle at all – but slipped into their night things bathed in the moon’s light. I moved to the glass and watched the cold disk of light slip in and out of the wispy clouds, snow was melting fast – patches were left isolated the fields below me, the icicles had let go their hold on the edges of the house. I noticed, staring out the window, little white balls on the outside on the window sill, glowing in the moonlight, almost luminous, forming a little line along the edge of the window. I tried to force the window open, but it was either nailed or painted shut. We crawled under the sheets, but the night was restless, the floorboards expanded sending creaks through the room – the girls once again abandoned their bed for mine, and I found myself staring at the cracks in the ceiling waiting for sleep to find me as Lucia kicked of the covers.

I drifted in and out of sleep, but slowly woke to a light tapping on the old glass of the window. Unnerved, I slowly made my way to the sill – the night’s cool light was shining in and I expected see some specter, some apparition’s finger imploring me into the night, or pleading to come in. But as I made my way across the floor I found the tapping was made by the bull headed persistence of a grey sphinx moth knocking against the glass with a rhythm as regular as a pendulum – drawn, seemingly. to the light of the moon beyond. I cupped the creature in my hand, and watched closely as it slowly unfurled its spiraled proboscis. In college I had read Darwin’s study of the sphinx moth of Madagascar and how he presumed the existence of a long necked orchid to be pollinated by twelve inch length of the moth’s galea. This specimen’s protuberance seemed equally impressive, for as it sat cupped in my hand it searched with its appendage the furthest reaches of my forearm. I wanted to show the moth to the girls, so I placed the creature in an overturned cobalt drinking glass on the nightstand. I fell asleep watching the moth flutter toward the light- rising and falling inside the blue glass. My dreams were filled the images of a body struggling for air in the icy blue depths of the winter river.

When I woke I found that the girls were already up – Lenore was leaning into the window sill – making a watercolor sketch of the spring landscape outside, Lucia sat in the corner – reading an article out of the Hoard’s Dairyman praising the Alderney breed of dairy cattle for its dainty form and high butterfat content. Glancing at the table I found that my nighttime quarry had vanished. The water glass lay broken on the floor, shards of blue mixed with small drops of red, the moth had escaped somewhere into the morning.

Composed by Dr. G on May 01

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